6 Mixed media pieces on heavy stock colour paper coated with polyurethane.
Haven’t got any big pieces in process currently, so I thought it might be nice to review a series that was inspired by the fall, leaves and water. The part I am most proud of was staying within the original idea yet having different looks. Schooled and practiced painters may find this second nature, for myself it was a challenge. The first in this series is the one on the top right, and the last was a bit of a cop-out by just going black and white. I have displayed them as a unit/series once and it felt good. Each has a story as to why it is different from the last, maybe at a one man show I might get an opportunity to bore someone… ;-) As a normal course of artistic creativity I tend to jump around a lot, which keeps me from being bored and juices flowing, but at some point I want to explore where some pieces might lead me. We may never create the next world’s masterpiece but if we don’t stretch with the creative spark we achieve, how will we know what is possible? Curious how others feel about this, feel free.
Gee, I posted just the work with no words and nobody called me out for it…or maybe that was a hint…lol
This was a different approach than others i have done as i started out with white on white/gesso, playing with the thick media and shaping it. Once dried the fun began again adding color here and there as the piece spoke to me…then the finial layers and massive amounts of rubbing, sanding, carving and then coloring and a finial rub…then I played with my trusty white uni-ball SIGNO…a couple of last minute color additions and clear coated for the shine. A not so instant-gram piece…title says it all, only wish i could have gotten his or her face better ;-)
Typically when i am being creative 2 to 3 pieces come to completion before my eyes, in a week. Sizes will vary from 9×12 up to 16×20 normally, I dream big but large never seems to work out as well for me…but I sure can hang quite a selection in limited space. For those that might have been following my blog recently you are aware that I am not feeling as productive (just two very nice pieces in the past 6 weeks…i know I shouldn’t complain.) . Well the slow period isn’t going to get any better…mother nature has decided to help me take my mind off of it. I work in a nice basement that I have slowly reclaimed over the years from leaking…i wish i had the same type of basement as I did in Kansas…poured vs. these @#%* cinder blocks. At any rate 6 inches of rain with in a short period of time has me mopping, putting up fans, and figuring what to try next…I will say in the past this same event would have a nice half-inch of ground water through-out my fine gray painted slab…this time i have about 4 areas that allowed just enough to soak my limited floor coverings (old rugs) … I found working off a bare slab very uncreative for myself, besides when i need a break putting is better on a rug vs. the slick too fast slab…long story short it will take me a few weeks to do whatever to make my art cave dry and moldy free…and that leads to my title of this piece. So stay tuned while I work up a sweat for a while fixing my studio, the brite side might be renewed creative energy…plus a few aches and pains. LATER
ps…this is a photo from a visit to the Nelson Art Gallery, was to be a piece at a later date…hmmmm
Remember me? Sometimes I will view a piece, like it, but there is just something not quite the way i would like…if after a few days i feel the same, then i have a choice to make.
1) do whatever I think it needs more or less of
2)decide to do another with the changes i think will make it better
3)do nothing for another week or two and see how i feel then.
I chose number 1 and made some changes…why you might ask…the upper half felt too real, and real wasn’t my goal. The textures were too much alike in the green areas . Too much white outlines in the lower branches…and finally the moon needed something more. They were some more minor changes, as to be expected when you go back and get real close to your work.
I loved the first piece, but now I love this one more, been framed and hanging in my house and looks wonderful. I do work in a basement and if my mad experiments don’t work, they never leave those confines…well rarely ;-)
People that know me may not realize I was born in St. Paul Minnesota, land of more lakes than you can count…or the land of sky blue waters…wait that is the Hamm’s famous saying for their beer. This might explain why I drift back to these type of scenes when doing my bubble trees. At least that is what my shrink might say, after digging into my colorful mind….that is if I had a shrink. Haven’t gotten to that point yet, and I know this why? Because my work hasn’t gone Dali or Gogh yet, well maybe skirting it a little occasionally. At any rate this piece is the largest bubble tree i have done to date, other than taking longer than normal, process was the same…I did add some non-organic structures to this piece tho. All my others in this series were free of this and rock pads just seemed right.
Oh, a little factoid when using cold pressed board…if you use anything very chemical based or solvents, gesso it first…otherwise paper might/will de-laminate…hot press has been fine so far with my mediums…this was the first time I had used cold press…LIFE IS ABOUT LEARNING ;-)
Doing ocean floor themed pieces with my Octopi pal is fun…and this one is no exception. The focus on most of these pieces is the coral and then the octopi…and as is with all of these so far an old wrecked ship lurking in the background…used to think I was going over the top with my color on the octopi, until i watched a PBS special…if anything I am understating the shocking bright neon colors these animals can produce.
Nothing deep to doing these, just pure enjoyment in the process and time spent.