I have never seen one in person and don’t real know if i care too, but from pictures I have seen forest fires create eerie landscapes to be sure. This was a piece inspired by my sister, who is part of the army of people working for the government that fight these bad boys. I can only imagine the fury and destruction they cause…but in a sense it is also about rebirth and transformation, things that forest areas have been doing for thousands of years…and will continue to do long after we are gone. She is starting to gather a small collection of these, I believe she has three now, from a series of three!!! My favorite one was HAUNTING AFTERMATH.
9×12 in. mixed media. Let me start by saying thank you to everyone, I have hit a milestone I never imagined I would get to…1000 followers!!!!!! … I reached that early today, it is very humbling and at the same time extremely uplifting . THANK YOU ALL
The long winded titled piece was done like some of my bubble tree series, without the trees. I had a preconceived idea about goosebumps…thus the title. It has a different feel than the others like it…but I can sense being in the water for sure. Not many have seen this piece so I will let you guys and gals tell me what you think.
9×12 in. mixed media. The closest thing to a still life I have done since Shawnee Heights H.S. days and Mr. Miller. This is one of those pieces I do from time to time to recharge my creative juices, plus it keeps me productive. Fun to do the different shapes that adorn my desktop…note the pencil scribbles i put on the blotter, too much white had to do something. My current blotter is covered with ideas for names, web sites, spellings, simple sketches, and blots of color…maybe when i get ready to change it out i should frame it, might be interesting years from now.
9×12 in. mixed media. If it’s too cold to skinney dip, then one can only bask in the warm rays of the mountain highlands by the lake during a full moon. Most likely this would just be slightly better than skinney dipping, goosebumps would be maxed out either way. Title obviously came to me as a continuation to my last BUBBLE TREE piece. Didn’t use as much tissue paper in this and I pulled out a trick I learned many years ago to get the right shading…shoe polish! Prior to that the shading wasn’t right for the feel I wanted…want to say the first time I saw this used was by a fellow student at Ottawa University. Never used it too much, kinda messy and gets on everything…the liquid polish doesn’t work as well as the paste type…rub and remove till you like it, then acrylic sealer. Funny how old studio tricks come back to ya… with this piece I believe I have enough to start a new catagory…Bubble Trees
9×12 in. mixed media. Details on the lighter areas not showing very well, you will have to take my word on there is more to be seen. Used some of that 42 year old ink in getting my colors just right. Had a few on lookers thinking I was doing something with football laces or clocks…nice observation but can’t say I was on that path. Watercolor paper does such a nice job of taking my early layers before I start glazing over with finishes, inks, and acrylic. Not sure I have mentioned my process in naming pieces before…once I have completed a piece I spend some time with it and see what comes to mind…I have almost as much fun doing this as I do working on them. Not sure what my titles say about me as an artist but I do know it is enjoyable.
11×14 in mixed media. The 3rd and final wave is up and running at the Putnam County Library and this is one of the pieces. Not sure how normal shows go but I was able to provide the public with 27 hand picked works over a 2 month period, 9 at a time. Feedback continues to be very favorable from visitors, which is greatly appreciated. Thanks again to Stacie Johnson.
On to this current piece…nature and the elements, kind of played with a reflective type theme…water, deep and shallow and moonlight…are those snowflakes?…maybe…is that mountains?…possible . The colors and texture have a brisk cool feel to them, and I really enjoyed changing the shades and hues as the trees came thru the piece. I might over-play the white outlining, but at this point I can’t see the work without it. I have used this style and technique on several pieces now, each one creates a different but pleasant mood for me while glazing at them…I hope it catches you in a similar fashion.