Dermatological Wonder At 6 Fathoms

9×12 in. mixed media.  Let me start by saying thank you to everyone, I have hit a milestone I never imagined I would get to…1000 followers!!!!!! … I reached that early today, it is very humbling and at the same time extremely uplifting . THANK YOU ALL

The long winded titled piece was done like some of my bubble tree series, without the trees. I had a preconceived idea about goosebumps…thus the title. It has a different feel than the others like it…but I can sense being in the water for sure. Not many have seen this piece so I will let you guys and gals tell me what you think.

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Haunting Aftermath

9×12 in. mixed media. From time to time I try to capture the aftermath or the beginning of a forest fire. I think it is because my sister works for the forest service in the western United States. Her dept. works on supplying the monies and resources so these brave people can work on prevention and fighting the fires when needed. Dauntless task, especially after the fire season we are having this year. My artistic visions fall more into the areas after the fires, and I try to create a feel of what was. In this piece the sun is shining brightly through a forest that is just a memory, reflecting off of ghostly trees rooted in bare exposed soil. I know nature has a way to start anew what these fires destroy, however in our lifetime these forest will never grow to be as majestic as they once were.  Other mediums might lend themselves to creating this piece better, but I was trying to use the ones I know best…pen, marker, tissue paper, pencil, and acrylic.

Discarded Sunset On Kansas

Mixed media 18×24 in. on canvas. Back in the day part of studying photography was you did your own developing and printing, very challenging and costly till you got what you wanted. In this piece I incorporated some  discarded B&W nature  shots into my painting, along with some discarded fabric from the textile lab. My kids call it the dirty underwear picture, but I never was that cutting edge back then.  A closer look and we  can see a typical Kansas Winter setting near some fence rows.  I also used a brite red cinnamon wrapper to add texture and color. This is a piece that has had no issue (my wife likes it)  finding a home in a main traffic area in my house over the years. Talk about slow, I started this in 1974 and completed it in 1988…a story for another time.

The Other Side

Mixed media 10×14 in. Variation of several ( Between, How Many Trees Make A Forest, The Stage Is Set.) of my other bubbleheaded tree works.  At some point I may revisit these and either on a much smaller or much larger scale try to expand upon this. I don’t believe those are the great pyramids so I have added mountains to the mix. 🙂

Flour And Water Doesn’t Make A Peter Max

A 19×24 in. extremely mixed media. Before I get back to my current stuff I thought I might at least show one more, my first mixed media circa 1972. It was during a time when I was trying many different approaches to art and I personally liked Peter Max and the Beatles. (who didn’t at that time) This was about the time I changed majors from architecture to art education. It was also the first time I discovered tissue paper and recycling less liked art, of my own of course. This work uses flour, tissue paper, ink, pen, sand, paper, elmer’s, varnish, and papermate flairs. For being 40 years old it looks brand new, shining just it did then…can ya guess where the recycled art was useful?

 

Voyage Of The Cranes

Mixed media 9×12 in. Remember when I was talking in my Chaos In The Bay page about my first attempt of doing a sketch…well this is it. Stained glass without the glass! Actually I may try to do something equine with framing, why you ask? The initial layers of this were very brite and rich and after several coatings I managed to get to the shades you see now…however if you hold this up to a brite light those rich colors come thru…almost like a night day type thing…accident but maybe something to experiment on. By the way I am referring to the birds, ie… cranes.