Segmented Puddles

Mixed media 12×18 in.  The under pinning to this piece was layer after layer of markers and ink with repeated patterns, that start to take a life of their own. I really like how the acrylic is transparent enough to allow some of  the background work to morph thru. The final layers were controlled and precise in contrast to the background layers that were free flowing throughout.

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Lunar Shallows

Mixed media 12×18. I have done 6 of these trees/water/leaves/reflection type pieces and still find things to do with them. I wanted a lot more of the reflective look on this one thus the moon and the squiggly lines. It made the waves/water more pronounced, I also used more green and brown shades. I have been toying with having some sort of abstract aquatic life near the surface…I promise it won’t be Nessie, but that would be a thought….

Autumn Shallows

Mixed media 12×18. The first time I did one of these reflective-fall-water-leave pieces I couldn’t get a photo without a great deal of glare on them. So I figured I would do the next piece similar but with the glare/white added as part of it.  I like the effect and the blues and leaves are more distinct vs. the first piece (What Waterbugs)…I still need to learn to take better photos of my work.  I had someone tell me they thought the white was abstract geese going south for the winter…verrryyy interrrestinnnggg!  (think laugh-in, the TV show)

Muddy Waters

Mixed media 12×18 Fall series.  I like the way the colors change on the trees and the background but without the puddles/reflective blue waters it was way too flat for my tastes. The outlining of the trees was a late addition that helped me give it a little more of a surreal look to work with my leaves. I liked the effect so much for some continuity I used on the brite blue waters.

Sunset In The Channel

Mixed media 12×18 Fall series. This one has a cold and deeper water feel to it without the yellow and I almost didn’t try it.  I wanted to make the reflective sunshine  a little less obvious and  make the peaking waves stand out more.  Felt this would lead the viewer to look deeper between the waves to find other details in this piece.  Not as many leaves to be seen might be why I feel it has a deeper water feel ( I am sure all the blues didn’t hurt too) .  You might notice  I made the signature more a part of the piece than others, haven’t made my mind up on that yet.

Going To Seed

Mixed media 12×18. What do you do with a piece that you love the colors but composition wise just doesn’t do anything for you…RECYCLE! A piece that was titled “111 Overton County,” got a second life and provided something special for me…”going To Seed.” This has some of the same elements as others in my Fall series (it is fact part of it) but I was a little more spontaneous in my line work. The image of the reflecting window helps to balance out my scene and actually gave me hope I was had something working.