Couldn’t let 2013 get by without posted something, so here is another in my clouds and overhead lines themed pieces. Love driving highways and observing the terrain/changes and how the sky and horizons merge. Especially when you have a front moving in just before dusk…the sun can bring on such unusual and beautiful colors. Technique wise this piece was done with ink, acrylic, pen, and illustration board. Thought about putting some structures along the horizon line but didn’t want to take away from the flow I was seeing. As a whole this was some abstract elements in it but leaning more towards realism than I would normally do, but I love the way the front looks.
Some pieces come to be because of the last one done…in this case i was doing Taping Down The Views and I went all circles in this piece. Lots of the same processes went into making this just like Shields. This was a phase when i used markers and acrylics and then hi-lighted back with pen work. Not sure if I could find a scene like this under a microscope…but it sure looks like it. If the shapes look a little out of sorts, they are…didn’t use aids to make perfect circles and arches, more organic this way…that’s not to say aids don’t have their place, it’s a choice.
Pretty basic stuff here, but never the less a nice journey playing with light and color. This is a piece that looks good from afar or up close. Thought I might get cutesy with the title but then that would take away from the intent…sweet and simple. Someday maybe this will be “Knieling’s Blueboy”, a classic from the reknown artist from Kansas. ;-)
18×28 in. mixed media on canvas. Naming works is an art in it’s self, or at least it seems. Some artists I talk to spend very little time on naming a piece and just want to get it over with. Why? We spend so much time making something that is linked in some fashion and form to our name, why not give it it’s due. For myself once a piece is finished i want to spend time with it and enjoy it’s presence…it is during this time thoughts of what to call it drift around my head. I write them out on my work pad,or a scrape piece of paper while I am wandering the bins at Lowes, sometimes one begets another and several names later I wonder how I got to this title…but once I place the label to the piece, rarely does it change, it fits like a favorite pair of jeans…just right. When you get down to it a title can help the artist give the viewer some insight into their vision and from that point look at it maybe in a different way…trying to understand… what in the heck was going thru the artist’s head…lol;-)
PS…This piece was about my factory experience and done with the style/commerical art I was into at the time. Believe it or not all of that equipment, I operated at some point in time while working there (Right Donnie?). The title nails it for me.
Well a lot added since I showed last…at this point I am letting the piece simmer a bit and see how it feels in the next couple of days. I am really enjoying the thought process (pun intended ;-)
Stay tuned….later WOW 101 posts, been doing this longer than I thought, time zips by when you are enjoying yourself.
Got some great feedback both online and in person. As you can see I have made some changes, I am feeling better about it…still not there I have to pull the slack in yet and do some more fine tuning…but it’s close.
20×24 in. mixed media. Don’t usually do this but people have asked before and I am at a stall with this piece, for the moment. Education is a big part of the theme, in case no one noticed :-) Just airing this out for general impression or feedback…maybe a light will come on and I will finish before the next post.
12×20 in. mixed media. With the increase of wildfires we are lucky that Mother Nature still has the ability to come back after these events. To come thru these same areas several years later is to but marvel at Mother Nature’s skills to heal and regrow. Even with this amazing transformation closer examination shows the scars still left, showing to all what happened here. This piece kind of feels like a forest area attempting to heal itself yet still dealing with the past events. The colors show hope for a bright future yet some colors also show the deadly past this forest area has dealt with. Kind of like some of humanities history any place in the world…sad yet hopeful for a better future. As for a clue to the title try 1988 Yellowstone area.
9×12 in. mixed media. Let me start by saying thank you to everyone, I have hit a milestone I never imagined I would get to…1000 followers!!!!!! … I reached that early today, it is very humbling and at the same time extremely uplifting . THANK YOU ALL
The long winded titled piece was done like some of my bubble tree series, without the trees. I had a preconceived idea about goosebumps…thus the title. It has a different feel than the others like it…but I can sense being in the water for sure. Not many have seen this piece so I will let you guys and gals tell me what you think.
I have had this unfinished canvas around for many, many years, a project started but one of those pieces I could never get my head around to finish. So when I came across it a few weeks ago I was determined to complete it, this year!
It felt strange to be working on canvas again with its grain and the push and give of it’s surface, made me long for my watercolor paper. The original task was to do a piece for a fellow worker that was into ninja type stuff, thus the title I gave this piece. Looking at it now finished I really like my moon and Jackson Pollock vegetation. Don’t ask why I have a Camelot castle vs. something more oriental, I was young then. As with my recent works I work hard to get texture, this piece shows that especially in the moon and foreground areas.
Of note, I say it is finished but I want to live with it for awhile to be really sure….. ;-)
9×12 in mixed media. As simple as this piece seems to be, it was fairly complex in execution. Lost track of the layers but beneath each square of color I started out very vivid and bright. I really love how the textures allowed some of the full richness of the under lying colors to show. I did have to knock down some of the peaks though to get a more uniformed look. The full body white lines in some areas show well too. Unfortunately this piece can only get full appreciation in person, as the photo can’t capture the subtle tones. This was a follow-up to “Neutrons and Fertilizer,” only taking the tones the opposite direction in values.It kind of gives a wintery feel, although I have seen colors this muted from above when you get a lot of sun reflection in spring time. You have to work at seeing the signature as I didn’t want to disrupt the feel of the piece, lower right hand corner.
9×12 in. mixed media. Title speaks for the work, right? Layered process like my earlier works, 6-8 deep, lots of texture. This is a similar process that was used to make 5 Finger Blues. Title took awhile to hit me, but once I started to think along those lines the name stuck. Inspiration? Ever been up 10,000 ft. while flying over Kansas farm land in late spring? Different crops some fairing better than others…hmmm seems like we have some crop circles.
By the way Cookeville Artprowl 2012 went well…will show a few pictures from it soon.
8.5×11 in. mixed media. It would be nice to have one of the big art supplier’s stores near me so I don’t have to wait for ground shipments. That is the offset of being able to get on-line and get stuff you need but the wait can be frustrating…unless you are one of the 1-%ers that have disposable income to fuel the shipping giant UPS.
Well at least with this idle time I did create another in the series of finger works. Question: if we have ten fingers, then once I reach the 10th piece, do I keep going? or do I start on toes? This piece was going to be just a simple drawing, but I couldn’t resist…had to stretch myself and add color. Got a real nice surface texture going by spraying acrylic finish from a distance, the surface took colored pencil and crayon like sandpaper but not as harsh. So waiting for supplies isn’t a total waste … :-) PS…GET OUT AND VOTE
9×12 in. mixed media. Until after the 2012 Cookeville Art Prowl this will be my last post. This annual showing for area artists is something I have been going to or volunteering for many years…this will be my first time being one of the featured artist. Should be fun as I am sharing an area with my son Matt Knieling and his art. Please check out their site, and if you find yourself in the area stop by and say HI!
As for this post’s piece…another exploration work, mainly due to using the plastic netting…I could have lived with this before adding the netting, however after it is so much more than it was before…I love the highlights and the shades achieved…for sure a piece best seen in person and up close.
9×12 in. mixed media. Sometimes I try to keep it simple, especially when I am recharging the creative juices. Tape, brush, markers, and white pen an exercise in using the tools at hand without getting too involved. A nice piece that will show well when matted and framed very simple…not sure it will match much, but it will be hard not to notice.
9×12 in. mixed media. The tissue paper is almost not existent in this piece, but believe me the bold pink paper is there under several layers of work. Did quite a bit of sanding and carving through the surface of this piece. I let the finial few layers fill the gouges with their color as the under layers didn’t pop as much as I would like. Might not show very well in the pic but I have a fair amount of fine white and black lines near the surface. The theme in this carries forward my use of circles and angles quite well and with the mix of mat board pieces the texturing is very nice. The title? It is leading towards something and red might be warning as well as orange, where green is off the path…so use caution when stepping down the yellow path laid out…works for me…what do you think?
9×12 in. mixed media. Been working on and off on this one since the last very days of the London Olympics. Should have taking pictures of this as I was going along, I believe it changed at least a dozen times before I could keep my hands off it. Biggest issue was putting names of rail stations in, or not. It is what I envisioned in my head, names and letters, but I never could make it look the way I wanted. So then the challenge became making it work for my eye without. This is another piece that is better appreciated in person, for the coloring and details and texture. By the way Rio has some large shoes to fill, really enjoyed the opening and closing ceremories…plus track and field felt importance again…Mr. Bond and Mr. Bolt, thank you.
9×12 in. mixed media. The closest thing to a still life I have done since Shawnee Heights H.S. days and Mr. Miller. This is one of those pieces I do from time to time to recharge my creative juices, plus it keeps me productive. Fun to do the different shapes that adorn my desktop…note the pencil scribbles i put on the blotter, too much white had to do something. My current blotter is covered with ideas for names, web sites, spellings, simple sketches, and blots of color…maybe when i get ready to change it out i should frame it, might be interesting years from now.
9×12 in. mixed media. American flags by Jasper Johns are so iconic in modern art and I felt like doing something in that light, but different. Look close enough and you can see actual cornsilk in the piece, thought the name was just a bit of humor only…huh! Love the colors in this and besides using the cornsilk i had, i finally found a good use of my polka-dotted tissue paper. Mixed media artists can be such hoarders, for stuff they think they might need in the future…worked for me this time.
10×14 in. mixed media. A piece from my circle and rectangle period, note signature…not quite as embellished as current. Other than some acrylic this was done mainly with colored pencil and watercolor pencil. Actually if you follow the piece around it was somewhat mathematical in my selection of colors and sizing…then at some point i started adding parts that didn’t follow that rule but felt right. This was the piece that really made me feel good about staying with abstract shapes for my themes. It also presents some challenges as to presentation, due to my working to the very edge. When I mat a piece I always feel like I am hiding part of the expression and my viewers are missing something I intended to be seen. I have given some thought as to mounting them to a black or white mat-board, but haven’t felt good about any process/glue techniques yet. If anybody out there has any thoughts on this, please drop me a comment or line. My e-mail is firstname.lastname@example.org. Thanks